In the contemporary interior design, the furniture that you know when to silence are as valuable as those who know when to talk about. The Altair television furniture belongs to that category of pieces that understand its paper with precision: does not compete with space, does not claim unnecessary attention, but it is integrated into the room with a serene and elegant horizontal presence that visually organizes the Stay without imposing its character. And yet, when looking carefully, the Altair reveals a very well resolved design proposal, full of smart decisions that distinguish it from any conventional television furniture. The first of those decisions is the proportion. With 188.3 cm width and only 49.7 cm in height, Altair is a markedly horizontal, almost sculptural piece in its approach, which develops in width much more than in height. This choice is not casual: A low and long television cabinet creates a visual line that runs through the end-to-end wall and anchor the lounge assembly with a sensation of stability and balance that the more vertical or compact furniture does not get. The image of the environment confirms it clearly: the Altair occupies its place in the stay with the naturalness of who knows exactly where to be and how to be, without needing more space than it occupies but filling that space perfectly. The second great design decision is the finish. The countertop and the laterals of the Altair are in oak Artisan, the same texture of pronounced vein, expressive knots and warm tonal variations that characterize other furniture from the collection. This finish provides a visual depth to altair that moves away from cold minimalism and places it in a warmer and organic territory, where reference to nature and wood is present without having to resort to solid materials. On that oak background, the four doors appear on matte blank, forming a continuous, uniform and high purity facade that covers practically the entire width of the uninterrupted furniture except the thin separation lines between doors. And here perhaps resides the most relevant and more difficult detail to get into a piece of furniture of this typology: the absence of shooters. The four discharges are opened by a pressure opening system, without any metallic or physical element that breaks the continuity of the white facade. The result is a completely smooth surface, without reliefs or interruptions, which gives the furniture an almost panel appearance integrated into the wall, of pure volume that does not need to signal its functions because it exerts them with total discretion. This solution, which in the world of designer of kitchens and bathrooms is known as front without shooter or push-to-open, is a clear indicator of a design level and upper finish, and its presence in the Altair positions it as a reference piece within its category. The interior of the furniture, visible in the image with open doors, reveals an organization in four symmetrical compartments, each with an inner height of 45 cm in the extreme modules and somewhat lower in the plants, and a width of between 45 and 46 cm by hollow. This distribution offers space more than enough to host all types of audiovisual equipment: decoders, consoles, sound bars, external hard drives, Blu-ray players or any other device that usually accompanies a modern TV. The simultaneous opening of the four doors reveals the great storage capacity that is hidden behind that contained façade, demonstrating that in altair the external discretion is not at odds with internal generosity. The countertop in oak artisan, visible both in the frontal image and in the environment, surpasses slightly in width to the body of the furniture and has a well-proportionate thickness that gives it presence and solidity without being heavy. It is the surface on which the TV rests and, in the image of the environment, it is appreciated how that horizontal plane in oak acts as a warm and natural base on which the black of the TV and the white of the doors find their perfect balance. The golden and spherical floor lamp of the image background of the image and the picture of abstract lines complete a decorative scene talking about a lounge thought with criteria, where each element has its place and its function. With a background of 42 cm, the Altair is also a comfortable furniture to install in salons where the available space is limited, without renouncing the internal capacity or structural stability. The small adjustable feet on which the piece rests, allow it to level it on irregular soils and protect both the furniture and the pavement of direct contact, a functional detail that is especially appreciated in wooden floors or platform. The Altair television furniture is, in short, a piece for those who value design without concessions, for those who prefer serene elegance to visible ostentation, and for those who understand that a well-designed furniture does not need to decorate because it is already, in itself, Decoration. A horizontal, clean and great character proposal that transforms the wall of the television at the focal point of a contemporary room, tidy and with its own personality.
