The Electric Relax Armchair Gabas is the answer to a question that many lovers of interior design have ever been done: Is it possible to have an electric chair without looking like an electric armor? The answer, with the fritty, is a resounding yes. Its compact silhouette, its absolutely straight lines and the absence of any decorative element that is not strictly necessary make it an armchair that could perfectly pass by a scandinavian design piece of high-end if it were not because, when you need it, you have the Back and deploys footrest with softness and precision that only an electric motor can offer. The electricity mechanism is the heart of the fries and the element that distinguishes it from its manual version. Unlike manual drive, which requires a small body tensile effort to start resting movement, the electrical cabin system responds to a simple press of the control knob, starting a silent engine that moves the backrest and footrest in a way Slow, continuously and perfectly controlled to the exact position that the user wants. This precision in the control of movement is especially valuable for those who need to find a very specific position for health reasons, for people with back or cervical pains that need to adjust the angle of rest with delicacy, or simply for those who value power regulate their resting position Without interrupting what they are doing: Read, watch a movie or just rest with closed eyes. The command, discreet design and easy-to-use buttons, is saved naturally on the side of the chair when it is not used, without interfering in the visual cleaning of the assembly. Upholstery in symmick Anthracite gray leather is a choice that reinforces with coherence the aesthetics of fritty. The smooth and uniform surface of the leather, without the texture or relief of fabric tissues, amplifies the sensation of precision and formal cleaning that transmits the silhouette of the chair, creating a set where each visual element points in the same direction: that of a furniture of quality, modern and seamless. The anthracite gray, dark but not black, is one of the most timeless and versatile tones of the contemporary palette, able to visually anchor any room composition without impose, to combine with clear timber, marbles, black metals or Golden and with virtually any wall or floor color that is chosen. Its surface is also extraordinarily easy to maintain: a slightly humid cloth is enough to remove any spot or surface dirt, without the need for specific products or periodic treatments. The tall and straight backrest of the fries, with the replaceful headrest differentiated by a perimeter seam in its upper part, offers a full postural support that covers from the back area to the nape, distributing the weight of the body uniformly Along the back and avoiding the tension points that generate the lowest backups or those who do not have cervical support. The armrests, narrow and low profile, complete the geometry of the armchair with a formal coherence that does not sacrifice comfort: its padding, although discreet, is enough to support the arms for prolonged periods without being uncomfortable. The compact profile of the fries, finally, is one of its most solid practical arguments: by not needing free space behind to rest, it can be placed even against the wall, making the most of the space available in any size rooms. The fries is, in short, the electric chair for those who thought it would have to choose between functionality and design, and that it discovers with him that this election was never necessary.
